That should come as no surprise: The Kiwi director’s vampire mockumentary “What We Do In the Shadows” and last year’s “Hunt for the Wilderpeople” illustrate his penchant for comic timing and a geeky sensibility that allows him to turn genre tropes inside out, with an infectious silliness that’s both self-aware and grounded in genuine pathos. This is the essence of the energetic spark that director Taika Waititi brings to the third “Thor” movie, which injects more overt comedy to Marvel’s sprawling expanded universe than ever before. Banner face-plants on the magic rainbow bridge of Asgard, and for a moment both sides of the conflict stand agape. By now, most people inundated with Marvel movies over the past decade know the drill: The shock of the free fall transforms Banner into his raging alter ego, The Hulk, who lands on both feet with a domineering thud - except this time, it doesn’t. ![]() ![]() There’s a brilliant moment late in “ Thor: Ragnarok” in which Bruce Banner (Mark Ruffalo) propels himself out of a spaceship to help his friends in the battle below.
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